I have always loved clothes. So naturally, as a lost and unsure college pre-med student who once thought she wanted to become a doctor, costume design rescued me, so to speak. I quickly developed a deep appreciation for the creative hands and minds that transform fabric, texture, and silhouette into a living extension of a character’s heart and soul—and I knew I wanted to do the same.

I believe that costumes are more than just clothing; they are tools that enhance performance, establish time and place, and reveal the unspoken layers of a character’s journey. My approach to costume design is rooted in a deep respect for storytelling, historical accuracy (or intentional deviation from it), and the emotional depth of each character.

My process begins with research—whether into historical fashion, cultural influences, or the psychology of dress. I then explore how fabric, color, and form can support a character’s arc. I work closely with directors, actors, and production teams to ensure that every costume serves both the individual character and the broader visual narrative of the project, all while considering the safety and comfort of actors, the director’s vision, and the logistical demands of production.

Ultimately, my goal as a costume designer is to craft pieces that don’t just dress a character but help bring them to life. I want my designs to make actors feel empowered in their roles, transport audiences into new worlds, and leave a lasting impact long after the final curtain falls.